Founded in 2014, Infinite Ear is an independent video and audio production company
specialising in documenting live performance, promotional videos & short documentaries.
We provide high-quality services in video such as camera operation, editing, grading and directing. And in audio such as live and location recording, studio engineering, mixing and mastering.
Infinite Ear has worked with companies
such as Roundhouse, Shangri La Glastonbury, Block9, FACT TV, R&S Records, The Vinyl Factory, Continental Drifts, Acid Jazz Records and The Line of Best Fit. Artists such as Phuture, Shibusa Shirazu, Lucy Rose, Paul White, Kate Tempest, Fat White Family, Sleaford Mods, Slaves, East india Youth, Johnny Flynn, Dry The River, Rhys Chatham, Animal Noise, The Mouse Outfit and many more. And photographers & filmmakers such as David Bailey and Dean Chalkley.
Supported by Community Music
Who We Are
Pedro Skelly - Managing Director
Audio & video producer and sound engineer at Roundhouse. Pedro graduated
from the creative music production and business degree at Westminster university in collaboration with Community Music in 2014 and set up
Infinite Ear with Jack Allett.
He has since then worked with artists such as Todd Terry, Dj Pierre, Phuture, Helena Hauff, Paul White, Rhys Chatham, Sleaford Mods, Fat White Family, Little Barrie, Slaves & more. Pedro has worked at Roundhouse and Rinse FM and joined the board of Community Music. He has also been involved as a musician with Roundhouse and Community Music and had training at places such as BFI, Roundhouse, Bloomberg, IdeasTap and Google Campus.
Jack Allett - Audio
Has been working with sound in various ways for most of his life. As a musician, he grew up playing in arty punk groups and improvised noise groups, after which he also toured frequently as a solo fingerpicking guitarist.
Since 2008 he has worked as an audio engineer and studio technician at the Roundhouse, whilst also doing a variety of freelance sound work. This includes an ongoing involvement with The Line of Best Fit's live sessions (for artists including Charlotte Church, Charlotte Gainsbourg, Lucy Rose, Misha B…), through to regular mastering for avant-garde label AudioMER (for records by White Out, Polysick, Loren Connors/Alan Licht, among others).